In Tolkien's The Lord of the Rings series, Sauron, and characters allied with Sauron, are frequently associated with the colors red, yellow, and black. For example, here is a description of the Haradim -- a group of men allied with Sauron -- from The Two Towers.

They the are fierce. They have black eyes, and long black hair, and gold rings in their ears; yes, lots of beautiful gold. And some have red paint on their cheeks, and red cloaks; and their flags are red, and the tips of their spears; and they have round shields, yellow and black with big spikes. Not nice; very cruel wicked Men they look. Almost as bad as Orcs, and much bigger. Sméagol thinks they have come out of the South beyond the Great River’s end.

Another example: the eye of Sauron is described in The Fellowship of the Ring as "rimmed with fire, but was itself glazed, yellow as a cat’s, watchful and intent, and the black slit of its pupil opened on a pit, a window into nothingness."

I could list more examples of this, but suffice it to say, the more you read the story, the more obvious this pattern becomes.

Is there a reason behind this?

  • It's probably pirates. – Helmar Jan 18 '17 at 19:38
  • Are these Orcs or Men (Easterlings, I'm thinking)? – HDE 226868 Jan 18 '17 at 19:43

This isn’t coincidental. In Margaret Sinex’s fantastic paper titled “Monsterized Saracens, Tolkien’s Haradrim, and Other Medieval ‘Fantasy Products’” (appearing in the 2010 Volume 7 edition of the Tolkien Studies journal), she notes how these colors were used by medieval Europeans to depict Jews.

To quote from Debra Strickland’s book Saracens, Demons, and Jews: Making Monsters in Medieval Art:

Both yellow and red are colors that feature consistently in pejorative images of Jews, and both colors had contemporary associations with criminals and other social undesirables including Jews themselves once they were forced to wear the yellow badge of infamy in certain regions.

Here’s an example of this from the Lorenzkirche (Church of St. Lawrence) in Germany. In this stained glass picture, several Jews are shown worshiping the golden calf (i.e. being idolatrous). Notice how one of the ways the figures are identified as Jewish is through their yellow hats and clothing. (For a more detailed analysis of this picture, consult Sinex’s paper or Strickland’s book).

Image of Jews with yellow hats and clothes worshiping the Golden Calf. There are also some red elements in the picture (a pair of pants, a hat)

Photograph by George P. Landow.

Tolkien was a medievalist, so this is yet another example of him incorporating medieval literature and art into his writing.

This answer was taken from my blog post on race in The Lord of the Rings. Although I stand by most of what I wrote in this blog post, I need to go back and revise it substantially.

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    What is the basis for picking this interpretation over other plausible ones?Is there any relation with the flag of Germany before and after nazism, or do you put that down to a coincidence? – Gilles 'SO- stop being evil' Jan 18 '17 at 20:38
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    @Gilles if you think that this is related to the flag of Germany, feel free to write an answer saying so. However, I think my interpretation is much more plausible. Tolkien was a scholar who studied medieval Europe, and he incorporated this into his work. The Orcs and the men who serve Sauron represent racial categories, and it makes sense that Tolkien would borrow aspects of how race was portrayed in medieval Europe and incorporate it into his writing. (Although the way Tolkien portrays race in The Lord of the Rings is in many ways more reflective of modern ideas of race.) – user111 Jan 18 '17 at 20:51
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    You've got to be kidding me! Tolkien was absolutely against such interpretations of his work. He would never knowingly put such allegory. You could make a pile of nonsense interpretations of LoTR bigger then the book itself, but it wouldn't make them any better. – Mithoron Apr 24 '17 at 22:22
  • @Mithoron whether Tolkien personally is against an interpretation should have no bearing on whether that interpretation is correct. See literature.stackexchange.com/questions/2009/… and literature.stackexchange.com/questions/1016/… – user111 Apr 25 '17 at 11:09
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    As far as the Haradrim, the stereotypes they play into are exactly what you'd expect: a little bit the Mongol horde, a little bit Arabians, a little bit African. Basically, all the "non-Western" civilizations worship Morgorth at that point. – Obie 2.0 Oct 14 '18 at 8:38

These colours are generally considered 'evil' and frequently are associated with evil characters.

  • Black is easy to explain. Humans have an instinctive fear of the dark, and blackness inbuilt since the time of the cavemen. Death can be found in the dark, so black is considered evil. For instance 'the dark side'

  • Red is associated with danger or poison. It is also similar to the colour of blood, associated with pain and death

  • Yellow is also considered evil, but not as often. It is also associated with gold, which in fantasy books, often leads to fights, fatalities, goblins or dragons. It can also be for danger.

So Tolkien is indirectly telling us that the orcs are evil.

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  • I don't really think this is a satisfactory answer. While red, yellow, and black are sometimes associated with evil, this isn't a hard and fast rule. This answer would be stronger if you could explain, for example, why the colors are associated together. – user111 Jan 18 '17 at 19:46
  • @Hamlet okay I'll try and expand, I think that this is one of the main reasons though. – Beastly Gerbil Jan 18 '17 at 19:48

First, it is not yellow that is evil, it is gold, and not always.

Yellow is in fact more commonly associated with positive things than negative in Tolkien's work. The Sun is the Yellow Face and strikes fear into the evil Gollum, for instance. It is true that every now and then there is an orc with yellow teeth, or a trail of yellow slime, but those instance are outweighed by soft beams of golden light, the yellow hair of the Rohirrim, yellow drinks, yellow leaves, and so forth.

And even gold is not always evil, despite canonically being the element into which Morgoth put the most of his essence, and of which the One Ring is made. Tolkien is far from averse from using it to show royalty and nobility. Remember, Tolkien is writing from a conservative Catholic viewpoint: greed for what is not one's own is evil, but the riches of the rightful and noble ruler are appointed by Eru. For the Haradim, gold probably signifies their greed, since they are villains.

Now, red is certainly evil. The Red Arrow represents ill tidings:

"The Red Arrow!" said Théoden, holding it, as one who receives a summons long expected and yet dreadful when it comes. His hand trembled. "The Red Arrow has not been seen in the Mark in all my years! Has it indeed come to that? And what does the Lord Denethor reckon that all my strength and all my speed may be?"

The Return of the King

The Southrons have red banners:

The lines of fire became flowing torrents, file upon file of Orcs bearing flames, and wild Southron men with red banners, shouting with harsh tongues, surging up, overtaking the retreat.

The Return of the King

And so forth. Evil mentions of red outnumber even neutral mentions about five to one.

And as for black, well, it is not even a contest. It almost always symbolizes something morbid or outright evil, as examples like the Black Gate, the Black Speech, the Black Hands, the Black Riders, and so forth make abundantly clear. Not to mention Gandalf literally calling Sauron "The Black."

Also, it is not just the orcs who are represented by these colors. The example given was of the Haradim.

With respect to the shields and such, although I did not think of it, there is a very immediate referent: the Roman scuta.

enter image description here

The colors are faded, but as we can see here from the reproductions in the second image, the shield was likely painted bright red and yellow.

As to why they are evil....

Symbolic influences

Both Sauron and Morgoth are constantly associated with fire and shadow. The Balrog, for instance.

It came to the edge of the fire and the light faded as if a cloud had bent over it. Then with a rush it leaped across the fissure. The flames roared up to greet it, and wreathed about it; and a black smoke swirled in the air. Its streaming mane kindled, and blazed behind it. In its right hand was a blade like a stabbing tongue of fire; in its left it held a whip of many thongs.

The Fellowship of the Ring

There are also many mentions of red flashes, red fire, and so forth. For Tolkien it seems fire—at least, evil fire—is red:

Right across the floor, close to the feet of two huge pillars a great fissure had opened. Out of it a fierce red light came, and now and again flames licked at the brink and curled about the bases of the columns. Wisps of dark smoke wavered in the hot air.

The Fellowship of the Ring

There is good fire, as wielded by Gandalf, which tends to be white.

In any case, Sauron lives next to a literal volcano, in a land shrouded in darkness due to its miasmata. I think the "shadow and flame" association with Sauron is also fairly self-evident. This probably explains the majority of the red and black references in the context of the forces of Sauron. The roots of this are probably largely Biblical: evil is associated with shadows in the Bible itself, and since at least the Inferno if not early, the Devil has been associated with fire: not merely as a form of punishment, as with the lake of fire in the Bible, but as one of his traits.

Racial influences

Not to put too fine a point on it, but the Haradim and the other peoples allied with Sauron are clearly based on non-white, non-Western ethnicities, and negative versions of them at that. Tolkien even admitted that the orcs were based on Asians.

Why does Z put beaks and feathers on Orcs!? (Orcs is not a form of Auks.) The Orcs are definitely stated to be corruptions of the 'human' form seen in Elves and Men. They are (or were) squat, broad, flat-nosed, sallow-skinned, with wide mouths and slant eyes: in fact degraded and repulsive versions of the (to Europeans) least lovely Mongol-types.

The Letters of J.R.R. Tolkien


All of the world, save the West, is essentially aligned with Sauron and engaged in Morgoth-worship at the time of The Lord of the Rings, whence Sauron's limitless armies. If they did not worship Morgoth, they simply worshipped Sauron directly.

In the east and south well nigh all Men were under his dominion, and they grew strong in those days and built many towns and walls of stone, and they were numerous and fierce in war and aimed with iron. To them Sauron was both king and god; and they feared him exceedingly, for he surrounded his abode with fire.

Of the Rings of Power and the Third Age

Tolkien was clearly influenced by racist conceptions of the forces of the uncivilized East (Asia) and South (Africa and Middle East) arrayed against the civilized bulwark of the West. See also his harangue against the "Orientalization" of Alexander. It is partly in that context that we see the first quote: the Haradim mostly represent Arabs, and their dark hair and eyes, and their red battle paint, are portrayed in a negative, frightening manner specifically in the context of their ethnicity.

It is in this context, also, that we see a description of the evil physical characteristics of the inhabitants of Far Harad:

He now was destroyed; but Gothmog the lieutenant of Morgul had flung them into the fray; Easterlings with axes, and Variags of Khand. Southrons in scarlet, and out of Far Harad black men like half-trolls with white eyes and red tongues. Some now hastened up behind the Rohirrim, others held westward to hold off the forces of Gondor and prevent their joining with Rohan.

The Return of the King

Yes, a description of Africans as barely more than trolls that hits all the usual stereotypical elements, and of evil Asians with hachets. Pretty stereotypical.

I would argue that we are not merely seeing Tolkien's association of red and black with Sauron influence his depiction of Sauron's minions, but that these sorts of examples illustrate that Tolkien already associated red and black (the latter more obviously) with non-European groups, as this example and the one in the question illustrate, and that this association also influenced his choice of the colors for Sauron.

Side note with respect to Jews.

While the analysis in the other answer has something to it, and I am loathe to disagree with such a careful scholarly analysis as that cited therein, I am unsure that can be the primary explanation.

Tolkien liked Jews, as hinted at in the famous letter where he criticized a Nazi by saying he regretted that he did not have any Jewish ancestors. That does not mean that he was not prejudiced against them in some way, or that he did not buy into some anti-Semitic stereotypes. In fact, the dwarves have a Jewish influence by Tolkien's own admission, and their defining flaw is made their greed and lust for gold. They are also clannish, industrious, learned, and pretty much every other Jewish stereotype one could think of. But they are not the villains. They are rather a heroic race. I doubt Tolkien would have intentionally based his villainous characters on Jews, or employed imagery that he associated with Jews to characterize the forces of evil. Not to mention that what I mentioned previously about yellow actually being far more often associated with positive figures undercuts the argument somewhat.

Now, it is possible that Tolkien drew on generic Middle Eastern stereotypes to characterize the clothing of the Haradim, and that medieval Christians did the same when they depicted Jews (who, after all, came from the Middle East), but I am skeptical that it goes further than that.

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