If we go by the text of Shakespeare's Richard III, Richard has a hunchback. In Act I, scene 3, line 246, Queen Margaret describes Richard as a "poisonous bunch-back'd toad." And in act IV, scene 4, line 81 Queen Elizabeth also describes Richard as "that foul bunch-back'd toad."

However, in the 1955 Laurence Olivier adaptation of Richard III, it doesn't look like Laurence Olivier's character has a hunchback. There's a subtle padding around the back that makes Richard look slightly slouched, but it's very unemphasized compared to, say, the Kevin Spacey adaptation.

Why was this detail changed? Does this change make sense in the context of the themes of the play and what we know about the character of Richard III?

  • 2
    I wonder if some images would help this question? For those of us who don't want to (or are unable to, e.g. at work) watch Youtube videos here. Video isn't necessary to see the hunch or lack of one, right?
    – Rand al'Thor
    Nov 8, 2017 at 0:51
  • @Randal'Thor great idea, although I unfortunately am not able to do that at the moment. Feel free to edit anyone. (Also, it would nice to get youtube embedding for the site, for questions about things like theater).
    – user111
    Nov 8, 2017 at 1:41
  • For the first video, YouTube says, "This video is no longer available due to a copyright claim by Network Distributing".
    – Tsundoku
    Dec 16, 2022 at 11:04

1 Answer 1


In the words of Olivier himself:

"It's called acting."

This quip derives from a very famous anecdote about acting technique, which reportedly occurred on the set of Marathon Man. Dustin Hoffman, having stayed up for days to be able to convey his character's exhaustion and confusion, seeing Olivier sitting comfortably in his chair, waiting to shoot, asked Olivier how he was able to make his own performance so real. Olivier is said to have replied: "Dear boy, it's called acting — you should try it."

This anecdote is primarily a comment on the divide between method acting, in particular as taught by Strasberg, and the more traditional, but highly rigorous and effective RSC training.

However, it may shed light on Olivier's choice to downplay the outward deformity--Olivier was considered the greatest actor of his age and his Richard III film portrayal probably still ranks at the top.

  • Olivier downplayed the humpback because he could--he's that good

Relying on a prosthesis to define the character could be regarded as a crutch, not required for an actor of such consummate skill.

To emphasize the points in this answer, I'll compare portrayal of Richard III and Laura from the Glass Menagerie. Both have a physical impairment that influence their characters.

  • If the deformity is pronounced physically in performance, as is generally the case, the audience interpretation is that the physical condition drives the character.

  • If the deformity is downplayed, as with the Olivier, the audience interpretation is that the character is burdened more by the psychological effects than the physical. (i.e. the deformity looms much larger in their mind that the physical actuality.)

The latter case may be considered much more complex.


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