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There seems little dispute that Tennessee Williams coined the phrase "memory play" to describe his play The Glass Menagerie, in which one of the characters is also the narrator of events drawn from their own memory. He uses it in the play's opening soliloquy.

The play is memory. Being a memory play, it is dimly lighted, it is sentimental, it is not realistic. In memory everything seems to happen to music. That explains the fiddle in the wings. I am the narrator of the play, and also a character in it. The other characters are my mother Amanda, my sister Laura and a gentleman caller who appears in the final scenes.

However, while Williams may have invented the phrase I am not so certain that he invented this concept, and that other plays based on the same framing device may have existed beforehand. I haven't been able to find anything definitive, as links point back to The Glass Menagerie. Is it truly the original memory play, or was there an earlier forebear?

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    Favorini (2007) Commented May 17 at 8:49
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    What do you mean by "memory play"? One where a narrator provides a frame story, told from a perspective later than the events in the play? I expect that there are a number of these pre-Glass Menagerie. Or one where lighting, music, and other accoutrements lend a sense of unreality to the story, making it evident that it is taking place in the character's memory? I expect that this is Williams' contribution.
    – Peter Shor
    Commented May 17 at 14:00
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    (Since the question doesn't mention it: The Glass Menagerie premièred in 1944.)
    – gidds
    Commented May 17 at 14:25

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