William Blake's Songs of Innocence and Experience includes two poems entitled "Holy Thursday", one from Innocence and one from Experience. The one from Innocence opens with the line:

’Twas on a holy Thursday, their innocent faces clean,

which makes its setting clear. However, the one from Experience doesn't contain any explicit reference to Holy Thursday (apart from the title) or any other Christian calendar event. Nor, as far as I can tell, did the accompanying illustration (click for full-size version):

illustrated poem

Why is this (Experience) poem entitled "Holy Thursday"? Is there any connection (other than the title), even if only implicit or thematic, between this poem and the date celebrated as Holy Thursday?

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    Wishing a happy Maundy Thursday to Literature SE.
    – Rand al'Thor
    Commented Mar 28 at 19:11

2 Answers 2


The "Holy Thursday" to which Blake's poems refer is not Maundy Thursday, but Ascension Day, the celebration of Jesus's rise to heaven in his corporeal form. In the Anglican tradition, this festival is celebrated 39 days after Easter Sunday. Ascension Day observances at St Paul's Cathedral in London used to include a special service for children who attended charity schools. This special service ceased in 1941, both because the church had been damaged in the Blitz and because children had been evacuated from the city.

The poem in Songs of Innocence depicts this bygone service. The children in their school uniforms represent innocence. As another answer on Literature Stack Exchange says, innocence for Blake is not passive sweetness or ignorance, but a charged force. The power of the children's innocence is seen in their voices, which reach heaven:

Now like a mighty wind they raise to heaven the voice of song,
Or like harmonious thunderings the seats of heaven among.

Blake has repeatedly called the children a "multitude" and compared them to "Thames waters." He now associates them with forces of nature like "mighty wind" and "thunderings." He also emphasizes their affinity to Christ: through their voices, the children ascend to heaven, just as Christ is said to have done on this day. Both in the poem and in its illustration, it is telling that their patrons, the "wise guardians of the poor," are beneath the children (click the image for the full-size version):

Blake's illuminated version of "Holy Thursday" from Songs of Innocence, showing the schoolchildren at the top of the page and the patrons below.

In these ways, while the poem appears to celebrate charity, Blake shows that the recipients are mightier than the donors. The children's innocence is like a force of nature or like Christ, whose stainless innocence gave him tremendous power.

In Christian belief, humankind's fall from innocence corresponds with a knowledge of good and evil. The corresponding poem in Songs of Experience regards the children participating in the Holy Thursday rite from the point of view of not innocence, but experience: unlike them, the speaker is aware of the workings of evil in the world. The first stanza immediately announces that there is nothing "holy" about this exercise of charity, because the very existence of poor children in a wealthy society is an affront to the Christian ideal:

Is this a holy thing to see
      In a rich and fruitful land,—
Babes reduced to misery,
      Fed with cold and usurous hand?

What could be seen as philanthropy is exposed as evil, since it takes for granted the existence of suffering innocence. The children's song that reached heaven in the earlier poem is now recast:

Is that trembling cry a song?
      Can it be a song of joy?
And so many children poor?

The force of the children's song still reaches heaven, but it is now a clarion call against corruption and injustice. Blake sees the ostentatious display of benevolence in the special service as morally bankrupt because in a just world, there would be no poverty and no need for largesse.

This answer is at variance with the claim in a different answer that the poem have "not much in common except the titles." Rather, both poems depict and comment on the same specific tradition associated with Holy Thursday, i.e., Ascension Day: the charity children's service at St Paul's. They dissect this service from the contrasted points of view of innocence and experience. The children are made analogous to Christ in their innocence, while the eye of experience portrays their supposed benefactors as hypocrites. Here as elsewhere, Blake uses the contrasted perspectives in his innocence/experience pairs to question accepted practices and overturn established hierarchies.

  • A very good answer. I think "usually celebrated", is effectively "always celebrated", if you are referring to the Church of England and the practice in William Blake's time.
    – mikado
    Commented Mar 30 at 12:47
  • @mikado "The day of observance varies by ecclesiastical province in many Christian denominations, as with Methodists and Catholics, for example," per Wikipedia. I'll edit to make the answer more explicit on that point.
    – verbose
    Commented Mar 31 at 0:16

Holy Thursday is the day of the distribution in the name of the monarch of a form of almsgiving called the Royal Maundy. In Blake's day, this took place in a religious service in London at the Chapel Royal in Whitehall (better known today as the Banqueting House.) Poor men and women, equal in number to the monarch's age, would receive a gift of food and money. I suspect that there is some connection with this annual ceremony on Holy Thursday and to both the title of the poem, and the poem's references to poverty and hunger.

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