Tom Bombadil is definitely one of the weirdest characters in all of The Lord of the Rings, he just comes out of nowhere, stumbling upon Frodo and Sam while singing. His actions are just incredibly unusual compared to the other characters in LotR. My question is for what reason does Tolkien add Bombadil into his story? How is he important to the development of the story?

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    I suspect it's more a case of Tolkein being reluctant to throw it away, rather than wanting to include it as an essential part of the story. Bombadil does rescue the hobbits from the barrow wights.
    – Mick
    Commented Dec 29, 2019 at 19:56
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    Interesting read: scifi.stackexchange.com/questions/1586/… Commented Dec 30, 2019 at 13:13
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    What always struck me was that Tolkein was not only proficient in writing prose, but poetry as well! LOTR is filled with songs and poems Tolkein wrote himself. I always felt it was part of the world he wanted to create. He wanted to add poetry, and Tom Bombadil was a great character for it. That's not the only reason, but I felt it was a main one for this character odditity.
    – Issel
    Commented Dec 30, 2019 at 13:33
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    FWIW, when I read LoTR I did not find Tom Bombadil to be out of place at all. To me, Tom Bombadil was clearly an enlightened being in Middle Earth. Perhaps it's because (tales of) enlightened beings are common in my culture (I am from India) that I did not find Tom Bombadil weird (dare I say, even relatable?). A few years ago I came across a short essay that expressed the same view very well, namely that Tom Bombail is a "Buddha", perhaps you will find this perspective interesting too.
    – user5387
    Commented Dec 30, 2019 at 18:38
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    The Lord of the Rings is not a tightly edited series of books. Some editors would have had Tolkien remove poems, allusions to legends, and lots of other details. They contribute to world-building, but some would say they take focus away from the main story. This is a stylistic choice. Tolkien and his fans like having these extras; some people do not and write in a style where things are only included if they have a specific reason.
    – Mike
    Commented Jan 8, 2020 at 7:55

7 Answers 7


Bombadil is indeed an anomaly, and does not appear to fit very well into Tolkien's overall narrative. He comes from nowhere (although he has been there all along, unobserved), and disappears equally abruptly from the story. Unless the author has given us some hints about the character's relevance, we are reduced to speculation, so let us just consider the mechanics of the story.

Tolkien has to get the four hobbits from Crickhollow to Bree, where they will meet Aragorn, unharmed, and without Gandalf to protect them; and yet they need to have some adventures on the way, otherwise the story becomes uninteresting. Gandalf's absence is Tolkien's biggest problem, and so Bombadil is basically a (slightly unreliable) stand-in for Gandalf.

The hobbits are in no position to face the nine riders on their own. Neither can they just walk through the Old Forest and have a pleasant hike to Bree. So, we have Old Man Willow, which Bombadil rescues the hobbits from, and then the barrow wights, where he rescues them again, and in between these two escapades, a pleasant interlude in Bombadil's house, with Goldberry and plenty of food and rhyming verse.

I have a suspicion that Tolkien had some attachment to Bombadil. Maybe Bombadil represents the author, since he is older than any other living thing in Middle Earth, and is unaffected by the power of the One Ring, and presumably, he is also unaffected by the destruction of the ring at the story's climax. Only an author has this much power to do as he pleases in his own stories. Tolkien is, perhaps, pulling a Hitchcock on us, since the director liked to make cameo appearances in his own films.

In the Council of Elrond, Gandalf is right when he says that they cannot give the Ring to Bombadil, since he would probably just lose it. With the Ring in his own pocket, Tolkien loses the plot.

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    In, The Letters of J.R.R. Tolkien, no 19, Tolkien explained that Tom was meant to represent "the spirit of the (vanishing) Oxford and Berkshire countryside". Tolkien was quite attached to that "spirit", and much of LotR can be seen as a nostalgic love-letter to that countryside of his youth, and dealing with its disappearance (for example in the Scouring of the Shire).
    – Jin Long
    Commented Dec 30, 2019 at 23:13
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    In Tolkien's cosmology, evil redoundeth only to Eru's great glory. The Witch King has awakened evil trees and barrow wights, and Tom must help the hobbits thru his realm. This leads to Merry picking up a very important short sword. Evil deeds backfire on the do-er - the Witch King - in unexpected ways.
    – Phlip
    Commented Jan 1, 2020 at 22:48

Tolkien said that Bombadil represented a sort of passive pacifism, which was important to represent in the story but couldn't play much of a role in the actual plot.

From Tolkien's Letters, letter #144:

Tom Bombadil is not an important person – to the narrative. I suppose he has some importance as a 'comment'. I mean, I do not really write like that: he is just an invention (who first appeared in the Oxford Magazine about 1933), and he represents something that I feel important, though I would not be prepared to analyze the feeling precisely. I would not, however, have left him in, if he did not have some kind of function. I might put it this way. The story is cast in terms of a good side, and a bad side, beauty against ruthless ugliness, tyranny against kingship, moderated freedom with consent against compulsion that has long lost any object save mere power, and so on; but both sides in some degree, conservative or destructive, want a measure of control. but if you have, as it were taken 'a vow of poverty', renounced control, and take your delight in things for themselves without reference to yourself, watching, observing, and to some extent knowing, then the question of the rights and wrongs of power and control might become utterly meaningless to you, and the means of power quite valueless. It is a natural pacifist view, which always arises in the mind when there is a war. But the view of Rivendell seems to be that it is an excellent thing to have represented, but that there are in fact things with which it cannot cope; and upon which its existence nonetheless depends. Ultimately only the victory of the West will allow Bombadil to continue, or even to survive. Nothing would be left for him in the world of Sauron.

In Letter #20, Tolkien also reveals the out-of-universe inspiration for Bombadil:

Do you think Tom Bombadil, the spirit of the (vanishing) Oxford and Berkshire countryside, could be made into the hero of a story? Or is he, as I suspect, fully enshrined in the enclosed verses?

The other answers have some good analysis of Bombadil and his role and purpose, but I thought it would also be useful to have what the author himself said about his intentions in introducing the character.

There is also some existing discussion of this and other related issues on the Science Fiction & Fantasy Stack Exchange, which I checked before posting this answer:

  • is there any online version of : he is just an invention (who first appeared in the Oxford Magazine about 1933) ? Commented Dec 30, 2019 at 11:20
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    Seems to me that the author’s statement of the reason should be the accepted answer, rather than our opinions.
    – WGroleau
    Commented Dec 30, 2019 at 16:24
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    @WGroleau Not necessarily. A well-supported speculation can be worth at least as much as a plain quote from the author. We've got some interesting questions about these issues here on this site: see The author of a literary work disagrees with critics about meaning—who's right? and How much weight should we give authors' declarations of their intent after the fact?
    – Rand al'Thor
    Commented Dec 30, 2019 at 18:52
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    We should give the author credit for knowing his own mind—else call him a liar.
    – WGroleau
    Commented Dec 31, 2019 at 8:23
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    @WGroleau Well, that's why I posted this answer - it's certainly useful and relevant information. But other interpretations might also be interesting; knowing the author's intented meaning doesn't necessarily invalidate other meanings that might come out from the text. (Full disclosure: I haven't actually read the other answers here well enough to vote on them yet, so I don't know how plausible or well-supported they all are.)
    – Rand al'Thor
    Commented Dec 31, 2019 at 16:23

Bombadil is also part of the world-building. He's part of the world, and his whole purpose in it is something that nobody short of Eru fully understands.

Tolkien mentions things like this in passing. Gandalf, after his returning from his trip Outside, mentions some creatures at the very nadir of his fall in Moria:

Far, far below the deepest delving of the Dwarves, the world is gnawed by nameless things. Even Sauron knows them not. They are older than he. Now I have walked there, but I will bring no report to darken the light of day.

The maps that Tolkien made include a lot of places the the hobbits never see, and some that are not even named in the narrative.

It's all done to give the reader a picture of a world that is not only larger than the Shire, but is also far older.

Do you think it's a coincidence that the very oldest resident of Middle-Earth (aside from Maiar), and by far its biggest enigma, dwells within a day's walk of where the story begins and ends?


This is opinion: I have no way to back it up.

I believe Tolkien introduced Tom Bombadil as a symbol of mankind before the fall, a sort of creature of pure, unadulterated nature. (Others have speculated this as well.) Think of him a bit like Adam, of the Adam and Eve in Genesis, before it all went south. He lives in harmony with nature and has some control over it, which makes sense because nature was a thing created for man's use and there was no enmity between man and nature before the fall. He's peaceable and happy because he's not tainted by evil or regret - he knows what evil is but he's not affected by it. He's unlike other characters because, well, no other character is like him - unfallen and unaffected by brokenness. Of course the ring has no effect on him, and neither do wights. Tolkien, a Christian, was (I think) making a point about the limits of the power of evil, and introducing a point of hope and optimism (here is something evil will never win against) in a story that then gets bleaker before it gets better.

It's important not to push the analogy too far: T.B. might be a symbol of the purity of the original creation, or Adam himself, but not a Jesus or God one. Tolkien was clear about that; this link might be of interest: FAQ / Who is Tom Bombadil in the Tolkien Wiki.

In LotR there are other echoes of the idea that someone who has never done X (X some bad thing) cannot be affected by X. For T.B, X is evil itself.

Tolkien has to handwave a bit during the Council of Elrond because of Bombadil - people propose just giving the ring to Bombadil and calling it a day, but Gandalf says no. I always thought the explanation was weak; why would Bombadil be so carefree and detached as to forget he had it? But I think I see the opposing problem - if people could just pass every awkward, evil bit of magic to Bombadil, he'd end up as the caretaker of a growing mountain of other people's dark efforts and failings. It wouldn't be a peaceful existence - there would constantly be evil characters going to Bombadil's land to grab the bad stuff. Bombadil, the ultimate symbol of freedom from the effects of evil, would get trapped in the role of taking care of everyone else's evil schemes and follies. It's no way to live, so Bombadil simply doesn't. He withdraws instead, only joining the world when he sees value in it to others, such as bumbling into the hobbits when they need help.

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    +1 but I somewhat disagree that the "he would forget about it [the ring]" argument is handwaving. As you rightly say, if the world piled "the evil things" (e.g. the ring) on TB, he would come under siege from the evil characters trying to grab them. If he actively "guarded" those things – acted to prevent the evil characters getting them – then he would, indeed, have fallen under the influence of those "evil things" (since those things will affect his actions). IMHO, the only consistent response would be one of complete indifference to the ring et al.: he would, indeed, forget about them.
    – TripeHound
    Commented Dec 30, 2019 at 14:34
  • Interesting. But - Bombadil isn't just unaffected by the Ring's power - Bombadil demonstrates that his power is unimaginably greater than the Ring's, and by extension, greater than Sauron's, far greater than Gandalf. So, I think that it doesn't fit to think of him like Adam or Eve. The episode with Bombadil does serve to demonstrate that while the Ring is powerful, it pales in comparison to other powers. Commented Dec 31, 2019 at 17:33
  • @DonBranson Just... - I commented above at it being (perhaps) a glance at Melchizedek. That fits perhaps more closely with Don's "much greater powers". Commented Jan 1, 2020 at 9:25

One reason that Bombadil does not really "fit" in the narrative may be that The Lord of the Rings was originally a sequel to The Hobbit. At that time, The Hobbit was only indirectly connected to the world of the Silmarillion and was "only" a children's story with ogres speaking in cockney accents and other silly things.

So the adventures until the hobbits reach Bree still very much have a feel of that type of children's story and Tom Bombadil actually fits very well into that type of story.

As Tolkien further developed The Lord of the Rings and rolled both it and The Hobbit into the mythology of the Silmarillion, the story became much more serious and "adult", but some of the earlier elements were left in place, even though they don't have quite the same feel as the items developed later.

  • This idea does not sit well with the fact that work on lotr started well before the rest of the universum was developed. But more importantly, Tolkien was often rewriting large parts of lotr.
    – paul23
    Commented Jan 1, 2020 at 22:58
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    I'm unsure what you are saying. Are you aware that a significant portion (perhaps even most) of the Silmarillion was written prior to The Hobbit? Commented Jan 8, 2020 at 15:31
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    I believe you are mistaken. The Silmarillion was what he initially started with. He did not start on Lord of the Rings until after The Hobbit, and he started that specifically as a sequel to The Hobbit. During this development, he shifted into a more serious and lengthy tale directly related to his Silmarillion mythology. Also during this time he re-wrote portions of The Hobbit (mostly dealing with the Bilbo-Gollum-Ring encounter). Commented Jan 8, 2020 at 16:16
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    @paul23 In Christopher Tolkien's vast History of Middle Earth, he goes into (amazing) detail on the birth of LoTR, promised to Unwin (publisher) as a Hobbit sequel, and how it was gradually woven into the wider and unpublished earlier writings of what ultimately became the Silmarillion. LoTR started as another book for children, with Bingo-Bolger Baggins as the main protagonist (later renamed to Frodo) who meets with the mysterious travelling hobbit Trotter (later Strider)! It was at the Council of Elrond that he really changed gear ....
    – SusanW
    Commented Feb 24, 2020 at 10:26
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    (cont'd)... although didn't JRRT write a letter to Unwin at that point claiming that the story was significantly complete? Quite funny. The enduring element of LoTR for me is the way the story shifts from "innocent hobbit adventure" to "epic" over the course of that first book or so, with the hobbit's disregard for their great danger partly driven by the fact that the author didn't understand the danger either! The 2nd time I read it, I was hopping at how the hobbits had so little urgency and were brushing off the Black Riders. Run! Now! Go! Arrgh! Forget going to the pub! :-)
    – SusanW
    Commented Feb 24, 2020 at 10:34

I'm reading Fellowship (again) right now, and I had a similar thought when I reached the Forest/Barrow section, and I thought for a long while why it might be.

I found my answer ('my' rather than 'the' because it's just an opinion) when the Council are discussing what to do about the ring. Bombadil is suggested as a solution - in fact the suggestion veers towards the idea of 'weaponising' Bombadil, then towards him keeping the Ring within his protection/seclusion, but both are dealt with swiftly as impossible. I (chose to?) interpret this as Tolkien's in-line explanation of why greater entities (Bombadil, or the Valar, or a greater collection of Maiar) in general couldn't or wouldn't just resolve the issue themselves. This is probably dealt with extensively elsewhere in the Histories, or Silmarillion, though I don't remember where, but if you take the Lord of the Rings series as a set by themselves without the rest of the legendarium, it seems to me to give the satisfactory 'answer' for why the West doesn't just come back and go to open war with Sauron.

The story of the Ring is, after all, a vehicle for the closing of the Third Age and the beginning of the dominion of Humankind, so it makes sense (to me) that a more powerful being choosing a pacifist stance is included. The Elves are already departing for the West, and the remaining Elves in Middle-Earth are already but a small number of the previous population.

Bombadil's existence (nor that of Goldberry) is never really 'dealt with' at least not in my recollection (this read-through is after maybe 10 years since I last read the series) so one can only assume they sort of just fade into the background, not being corporeal any more. I have wondered before whether the 'feeling' that Tolkien mentions in the letter #144 (quote above) is due his environment at the time (wartime and after) where simple enjoyment of things is basically non-existent because everyone is so preoccupied.

  • In isolation in LOTR Bombadil seems like an after thought, but he does play a wider part in middle earth, just like the wizards are there to maintain balance, bombadil is a purer form of nature, with less specific purpose than the wizards because at the time when he was created there wasn't conflict that needed to be dealt with, I'd liken him to a shepherd to Treebeard and the Ents, as Treebeard is a shepherd to the trees. Commented Dec 30, 2019 at 14:20

Quality literature is rarely about the plot, but instead the plot serves to deliver a message (and perhaps to engage the reader long enough to get the message). Other elements besides the plot also serve to deliver the message (e.g. places, names, auxiliary characters, etc.)

The Lord of the Rings is full of messages - about Truth, war and peace, virtue, character, bravery, honesty, commitment, greed, etc. A key message of the work is the archetypal battle of good versus evil. Evil is hell-bent on destroying all that is good: how will it be defeated? How will the innocent be protected?

As @Rand al'Thor explains in his answer, Bombadil is an important part of the message: good triumphs over evil, not through an escape to innocent pacifism, but by honest individuals standing forth with courage give and risk all they have and are. This message is repeated as the Hobbits leave the Shire, as the Ents rally against Isengard, as Rivendale supports Rohan at Helm's Deep, as Rohan responds to Gondor's call for help, etc.

There is something beautiful and refreshing about a complete release of the cares of the world (Bombadil), but the absence of Bombadil from the rest of the story IS a deliberate part of the message: evil is not defeated by innocence - we must proactively fight against evil in order to establish peace.

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