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What's the meaning behind In the poem "Alone" by Tomas Transtromer, what is the significance of the two parts and how do they relate to each other?

The poem appears to consist of two parts that are very different from each other.

Here is the poem:

I

One evening in February I came near to dying here.
The car skidded sideways on the ice, out
on the wrong side of the road. The approaching cars –
their lights – closed in.

My name, my girls, my job
broke free and were left silently behind
further and further away. I was anonymous
like a boy in a playground surrounded by enemies.

The approaching traffic had huge lights.
They shone on me while I pulled at the wheel
in a transparent terror that floated like egg white.
The seconds grew – there was space in them –
they grew as big as hospital buildings.

You could almost pause
and breathe out for a while
before being crushed.

Then something caught: a helping grain of sand
or a wonderful gust of wind. The car broke free
and scuttled smartly right over the road.
A post shot up and cracked – a sharp clang – it
flew away in the darkness.

Then – stillness. I sat back in my seat-belt
and saw someone coming through the whirling snow
to see what had become of me.

II

I have been walking for a long time
on the frozen Östergötland fields.
I have not seen a single person.

In other parts of the world
there are people who are born, live and die
in a perpetual crowd.

To be always visible – to live
in a swarm of eyes –
a special expression must develop.
Face coated with clay.

The murmuring rises and falls
while they divide up among themselves
the sky, the shadows, the sand grains.

I must be alone
ten minutes in the morning
and ten minutes in the evening.
– Without a programme.

Everyone is queuing at everyone's door.

Many.

One.

What's the meaning behind the poem "Alone" by Tomas Transtromer?

Here is the poem:

I

One evening in February I came near to dying here.
The car skidded sideways on the ice, out
on the wrong side of the road. The approaching cars –
their lights – closed in.

My name, my girls, my job
broke free and were left silently behind
further and further away. I was anonymous
like a boy in a playground surrounded by enemies.

The approaching traffic had huge lights.
They shone on me while I pulled at the wheel
in a transparent terror that floated like egg white.
The seconds grew – there was space in them –
they grew as big as hospital buildings.

You could almost pause
and breathe out for a while
before being crushed.

Then something caught: a helping grain of sand
or a wonderful gust of wind. The car broke free
and scuttled smartly right over the road.
A post shot up and cracked – a sharp clang – it
flew away in the darkness.

Then – stillness. I sat back in my seat-belt
and saw someone coming through the whirling snow
to see what had become of me.

II

I have been walking for a long time
on the frozen Östergötland fields.
I have not seen a single person.

In other parts of the world
there are people who are born, live and die
in a perpetual crowd.

To be always visible – to live
in a swarm of eyes –
a special expression must develop.
Face coated with clay.

The murmuring rises and falls
while they divide up among themselves
the sky, the shadows, the sand grains.

I must be alone
ten minutes in the morning
and ten minutes in the evening.
– Without a programme.

Everyone is queuing at everyone's door.

Many.

One.

In the poem "Alone" by Tomas Transtromer, what is the significance of the two parts and how do they relate to each other?

The poem appears to consist of two parts that are very different from each other.

Here is the poem:

I

One evening in February I came near to dying here.
The car skidded sideways on the ice, out
on the wrong side of the road. The approaching cars –
their lights – closed in.

My name, my girls, my job
broke free and were left silently behind
further and further away. I was anonymous
like a boy in a playground surrounded by enemies.

The approaching traffic had huge lights.
They shone on me while I pulled at the wheel
in a transparent terror that floated like egg white.
The seconds grew – there was space in them –
they grew as big as hospital buildings.

You could almost pause
and breathe out for a while
before being crushed.

Then something caught: a helping grain of sand
or a wonderful gust of wind. The car broke free
and scuttled smartly right over the road.
A post shot up and cracked – a sharp clang – it
flew away in the darkness.

Then – stillness. I sat back in my seat-belt
and saw someone coming through the whirling snow
to see what had become of me.

II

I have been walking for a long time
on the frozen Östergötland fields.
I have not seen a single person.

In other parts of the world
there are people who are born, live and die
in a perpetual crowd.

To be always visible – to live
in a swarm of eyes –
a special expression must develop.
Face coated with clay.

The murmuring rises and falls
while they divide up among themselves
the sky, the shadows, the sand grains.

I must be alone
ten minutes in the morning
and ten minutes in the evening.
– Without a programme.

Everyone is queuing at everyone's door.

Many.

One.

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added 90 characters in body; edited tags
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Rand al'Thor
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I

I

One evening in February I came near to dying here. The car skidded sideways on the ice, out on the wrong side of the road. The approaching cars – their lights – closed in.

One evening in February I came near to dying here.
The car skidded sideways on the ice, out
on the wrong side of the road. The approaching cars –
their lights – closed in.

My name, my girls, my job broke free and were left silently behind further and further away. I was anonymous like a boy in a playground surrounded by enemies.

My name, my girls, my job
broke free and were left silently behind
further and further away. I was anonymous
like a boy in a playground surrounded by enemies.

The approaching traffic had huge lights. They shone on me while I pulled at the wheel in a transparent terror that floated like egg white. The seconds grew – there was space in them – they grew as big as hospital buildings.

The approaching traffic had huge lights.
They shone on me while I pulled at the wheel
in a transparent terror that floated like egg white.
The seconds grew – there was space in them –
they grew as big as hospital buildings.

You could almost pause and breathe out for a while before being crushed.

You could almost pause
and breathe out for a while
before being crushed.

Then something caught: a helping grain of sand or a wonderful gust of wind. The car broke free and scuttled smartly right over the road. A post shot up and cracked – a sharp clang – it flew away in the darkness.

Then something caught: a helping grain of sand
or a wonderful gust of wind. The car broke free
and scuttled smartly right over the road.
A post shot up and cracked – a sharp clang – it
flew away in the darkness.

Then – stillness. I sat back in my seat-belt and saw someone coming through the whirling snow to see what had become of me.

Then – stillness. I sat back in my seat-belt
and saw someone coming through the whirling snow
to see what had become of me.

II

II

I have been walking for a long time on the frozen Östergötland fields. I have not seen a single person.

I have been walking for a long time
on the frozen Östergötland fields.
I have not seen a single person.

In other parts of the world there are people who are born, live and die in a perpetual crowd.

In other parts of the world
there are people who are born, live and die
in a perpetual crowd.

To be always visible – to live in a swarm of eyes – a special expression must develop. Face coated with clay.

To be always visible – to live
in a swarm of eyes –
a special expression must develop.
Face coated with clay.

The murmuring rises and falls while they divide up among themselves the sky, the shadows, the sand grains.

The murmuring rises and falls
while they divide up among themselves
the sky, the shadows, the sand grains.

I must be alone ten minutes in the morning and ten minutes in the evening. – Without a programme.

I must be alone
ten minutes in the morning
and ten minutes in the evening.
– Without a programme.

Everyone is queuing at everyone's door.

Everyone is queuing at everyone's door.

Many.

Many.

One.

One.

I

One evening in February I came near to dying here. The car skidded sideways on the ice, out on the wrong side of the road. The approaching cars – their lights – closed in.

My name, my girls, my job broke free and were left silently behind further and further away. I was anonymous like a boy in a playground surrounded by enemies.

The approaching traffic had huge lights. They shone on me while I pulled at the wheel in a transparent terror that floated like egg white. The seconds grew – there was space in them – they grew as big as hospital buildings.

You could almost pause and breathe out for a while before being crushed.

Then something caught: a helping grain of sand or a wonderful gust of wind. The car broke free and scuttled smartly right over the road. A post shot up and cracked – a sharp clang – it flew away in the darkness.

Then – stillness. I sat back in my seat-belt and saw someone coming through the whirling snow to see what had become of me.

II

I have been walking for a long time on the frozen Östergötland fields. I have not seen a single person.

In other parts of the world there are people who are born, live and die in a perpetual crowd.

To be always visible – to live in a swarm of eyes – a special expression must develop. Face coated with clay.

The murmuring rises and falls while they divide up among themselves the sky, the shadows, the sand grains.

I must be alone ten minutes in the morning and ten minutes in the evening. – Without a programme.

Everyone is queuing at everyone's door.

Many.

One.

I

One evening in February I came near to dying here.
The car skidded sideways on the ice, out
on the wrong side of the road. The approaching cars –
their lights – closed in.

My name, my girls, my job
broke free and were left silently behind
further and further away. I was anonymous
like a boy in a playground surrounded by enemies.

The approaching traffic had huge lights.
They shone on me while I pulled at the wheel
in a transparent terror that floated like egg white.
The seconds grew – there was space in them –
they grew as big as hospital buildings.

You could almost pause
and breathe out for a while
before being crushed.

Then something caught: a helping grain of sand
or a wonderful gust of wind. The car broke free
and scuttled smartly right over the road.
A post shot up and cracked – a sharp clang – it
flew away in the darkness.

Then – stillness. I sat back in my seat-belt
and saw someone coming through the whirling snow
to see what had become of me.

II

I have been walking for a long time
on the frozen Östergötland fields.
I have not seen a single person.

In other parts of the world
there are people who are born, live and die
in a perpetual crowd.

To be always visible – to live
in a swarm of eyes –
a special expression must develop.
Face coated with clay.

The murmuring rises and falls
while they divide up among themselves
the sky, the shadows, the sand grains.

I must be alone
ten minutes in the morning
and ten minutes in the evening.
– Without a programme.

Everyone is queuing at everyone's door.

Many.

One.

Source Link

What's the meaning behind the poem "Alone" by Tomas Transtromer?

Here is the poem:

I

One evening in February I came near to dying here. The car skidded sideways on the ice, out on the wrong side of the road. The approaching cars – their lights – closed in.

My name, my girls, my job broke free and were left silently behind further and further away. I was anonymous like a boy in a playground surrounded by enemies.

The approaching traffic had huge lights. They shone on me while I pulled at the wheel in a transparent terror that floated like egg white. The seconds grew – there was space in them – they grew as big as hospital buildings.

You could almost pause and breathe out for a while before being crushed.

Then something caught: a helping grain of sand or a wonderful gust of wind. The car broke free and scuttled smartly right over the road. A post shot up and cracked – a sharp clang – it flew away in the darkness.

Then – stillness. I sat back in my seat-belt and saw someone coming through the whirling snow to see what had become of me.

II

I have been walking for a long time on the frozen Östergötland fields. I have not seen a single person.

In other parts of the world there are people who are born, live and die in a perpetual crowd.

To be always visible – to live in a swarm of eyes – a special expression must develop. Face coated with clay.

The murmuring rises and falls while they divide up among themselves the sky, the shadows, the sand grains.

I must be alone ten minutes in the morning and ten minutes in the evening. – Without a programme.

Everyone is queuing at everyone's door.

Many.

One.